Here it is again the list of my 10 favorite readings of the week.
Let’s start.

• Most brilliant is new Zippo advertising campaign. Even if message clearly exaggerate the amount of space taken by discarded lighters, it shows an interesting point of view that probably few of us had considered before. Read a full article on StillAd ;
• Most Useful is The 13 most essential plugin for WordPress by Net-tuts. Even if I don’t agree to all of them because I think some plugin in list are not strictly necessary (don’t forget that each plugin you activate eats resources and slows a bit your wordpress!), there are some I didn’t know. I would add to list Login Lockdown: detect and record IP addresses of every failed login attempt and if more than a certain number of attempts are detected within a short period of time from the same IP range, then the login function is disabled for all requests from that range;
  
• Most stunning is Step into my Cardboard Office from CR Blog. Their article tells about Nothing, a new Amsterdam creative agency that built its internal working spaces with cardboard. Article has plenty of amazing pictures of the studio;
• Most funny is Comments you won’t have seen by DavidAirey.com. I read this clever and wit blog very often and surely there are a lot of graphic design post to point out (I especially like the “Logo of the month” series), but this one was, really, exhilarating;
• Most Interesting is Achieve your goals with Incremental Persistence. I’ve found this article on DevLounge. Very powerful explanation about how persistence conquers all. You can’t miss the linked John Reese article on Income.com too;
• Most Beautiful is a showcase of SmashingMagazine of 40 typography-related websites and blogs. Astounding creativity and a lot of knowledge here;
• Most Inspiring is a DesignM.ag Showcase about landscape photography. Incredibly, the shot of the cypresses has been taken not far away from where I live. Those trees are really famous among photographers here;
• Most Valuable is The Ups and Downs of Business by Chris Tomlison. I’ve found by chance this 5th and last article of an interesting series, so, my advice is to read them all;
• My favorite artist is Jay Horinouchi creates dreamy and intriguing worlds filled with Japanese-inspired creatures. Amazing painting technique. He is having a solo exhibition at Möbius Gallery in Los Angeles until April 7, 2009.

Some time ago UnderConsideration introduced the new design of the Tropicana packaging, a brand of the Pepsi Company.
The new bottle showed a cold, anonymous big picture of a glass of orange juice with plain sans serif typography.
Article ended the commentary with “I really want to believe that the screw-cap will not be an orange-colored boobie as in the rendering above”.
I couldn’t agree more.
That half-orange shaped cap was not only ugly but probably difficult to use too. (The one above is the initial rendering, at the end of the post the two real bottle compared)

YES.
I’ve said “was”.

New packaging arouse hell in all designers communities, and after a brief test period Tropicana has decided to return to its old packaging.

Let’s face the truth, with redesign it lost his identity: it was not
anymore the fresh fruit bursting with juice that made us all eager to drink.It became a plain product in a glass. Like anyone else.
There’s more.
Maybe this loss of quality in packaging was even perceived as a loss of quality in the product itself in the usual consumer too?
It may be.

Am I unfair?
I mean…I’ve always liked clean and sleek designs and this design is not bad in itself. Really.
Problem is that those that made the redesign forgot that this brand
has his history and his (strong) personality, and in their eagerness
to reach kids, moms, dads, grandpas and all in between cleaned up
and cut too much and in the end made it just…floppy.

So…what’s next now?
Will we see an update of the rejected design, an update of the old
one, a completely new one or we’ll keep on see the old beloved one
for years to come?

Well, it seems the Dubai department of Ogilvy & Mather has no no doubt about it: everything was DHL’s fault.

According to Omero version of the story, Greeks sent in front of the city of Troy a huge horse, which had to appear as a peace offer. The jubilant Trojans dragged the wheeled, wooden horse into their city to celebrate the end of the 10 years of fighting.
Unfortunately it was only an Odisseus plan to ultimately doom the Trojans: the horse was filled with soldiers that during the night, while the Trojans were more than a little comatose from too much drinking, slipped out of it. Killing Trojans and setting fire to the city, they quickly won the war.

So…here we are in presence of a revision of the history and DHL takes full credit for that old delivery.

I think this campaign is simply brilliant, clever and fascinating, not to mention beautifully illustrated.

I just love it.

Advertising Agency: Ogilvy & Mather, Dubai, United Arab Emirates
Executive Creative Director: Till Hohmann
Art Director: Rafael Rizuto
Creative Director: Dalba Singh
Illustration: Keith Thompsom
Editor: Sascha Kuntze

After last year successful guerrilla street campaign, Orbit is coming back.
New advertising poster has a beautiful vintage style (of those I love) and features a group of cannibals while preparing a couple of (human) pyres for their forthcoming snack.
In the foreground, a packet of Orbit whit the headline “After any meal”.

How daring! Humorous, engaging, and most of all so beautifully illustrated.
Ad was made by Agency Mark BBDO under the direction of creatives Leon Sverdlin and Martin Charvát. Brilliant copywriting was and idea of Pavel Sobek, art direction of: Daniel Kurz and (let me tell it again) wonderful illustrator was: Lucie Štamfestová.

Regarding last year campaign I just mentioned, if you don’t know it yet, faces were painted around street irregularities, with attached a simple note: “Dirty Mouth? ORBIT.COM”.
Very Impressive!

Campaign was planned by agency Energy BBDO Chicago, under the creative direction of Marty Orzio, art direction of Frank Dattalo, copywriting by Mike Roe. The artist that painted faces was Karen Tisel and the Christian Petersen-Clausen. Producer: Liz Miller-Gershfeld.

Some years ago I made a set of four advertising (I realized both visual and copy) for a branch of a press agency that deals technology and computer gadgets.
They all (but one) were two pages wide and were going to have nationwide diffusion (for those who don’t know I am in Italy).

The reason I am writing about this is that few days ago I was leafing through a technology magazine when it happened, to my great surprise, that I saw one of those old adverts (and to be more exact, the one you can see a detail in the pic above).
As far as I’ve always known all advertising campaign have their life cycle: customer gets attracted and interested in products thanks to the freshness of the message, than desire and acquire (you know … the old good A.I.D.A. formula …).
So, when customer already knows your visual and he is already accustomed to it, your message higly risks to get unnoticed.
I am pretty sure the result of each campaign has always been benchmarked by that company so, if they keep on publishing that advert it can only mean one thing: IT KEEPS ON SELLING.

This whole story inspired me some insights that I want to share in this article.

• Good Design Tells a Story.
  Design IS communication, and spending your hours with your tools just to make a composition look better or to refine your tecnique is useless. No one of the element of design should be gratuitous, everyone of them must convey your message. It doesn’t? Discard it. Never forget the old rule LESS IS MORE.
• It all starts by the definition of a “concept”.
  I know of a lot of colegues that when they are going to start a new project brainstorm by jotting down everything comes to their mind then refine in a second time. I work in a different way. I start defining a creative concept that should describe client and product. Something daring that I want to hook the customer. Something different and new.
  The case in example was particularly challenging: how many online technology and gadgets shops already exists? How could I been able to compel customers to get there?
  To make things even more difficult target audience of adverts were a lot heterogeneous because they were going to be featured not only on business and high-end tech mag, but on newbies magazines too.
• You got to reach your customer “emotionally”.
  Best feature of the client was that he offeres often rare to find tech gadgets and solutions, so, the starting principle of all four adverts I developed was the he provides products that make life easier. As a plus, to contrast with “cold” technology I wanted my message to be strongly emotional.
  Watch in the pic above and you already know the direction I took. I choose a photo of a happy grandfather and child, imagining the first whispering to the second about a secret place where he would have bought some unique and rare to find gift.
  
• Colors have to be active element of your composition.
  They never-ever have to be casual. Colors communicate as much as visuals itself, I’m of the opinion that every designer should learn the power of a correct use of color. I often like to desaturate the scene and leave color to the element I want it to have emotional impact, but this is not a set rule.